Older Work
REVIEW OF NORA WEBSTER BY COLM TÓIBÍN
Philadelphia Inquirer, 2014
When we first meet Nora Webster, she’s answering her door; it’s a straggler, one of the last of the callers who have come to express their condolences about her husband. The visitors are pesty and Nora is weary of them.
Read the rest of the review here
LEANNE SHAPTON: THE CHARACTER ARTIST
The Comics Journal, December 2014
Leanne Shapton is an artist and writer whose work I admire because it's nuanced, intelligent, and varied in a way that's always surprising. (It's pretty, too.)
Read my interview with her here
GIRLS ON THE STREET, AND OTHER WRITING ABOUT CLOTHES
Utne Reader, 2013
In 2013 I wrote a column for the Utne Reader. It was supposed to be about secondhand and sustainable fashion, but most often it was about clothing and identity, thrift store shopping, feminism, and movies I love.
Read each installment of the column here
HOW TO MAKE A FOUND POEM
The How-To Issue, 2012
The How-To Issue was a blog project started by Molly Templeton in response to The New York Times Book Review’s 2012 How-To Issue, which featured mostly cis-gendered dudes. Templeton called for how-to pieces of all kinds that were written by "women writers, genderqueer writers, and writers who do not identify with a binary gender."
CUTE DRESS
The Strumpet, Issue 1
The Strumpet is a comics anthology edited by Ellen Lindner and Kripa Joshi. A story I wrote, illustrated by the comics artist Mardou, was included in the first issue, which got a nice review in The Comics Journal.
STREET SWEEPERS: HOLLABACK! AND THE GLOBAL SURGE IN ANTIHARASSMENT ACTIVISM
Bitch Media, Fall 2011
Before the Women's March and the Slutwalk, there was the Hollaback! movement.
Read the article I wrote about it for Bitch here
REVIEW: IT IS ALMOST THAT: A COLLECTION OF IMAGE + TEXT WORK BY WOMEN ARTISTS & WRITERS
The Comics Journal, July 2011
Lisa Pearson has put out a number of rigorous and beautiful titles on her small press Siglio, which specializes in books about visual art that lies at the intersection of literature.
Read my review of this anthology here
GEONOSHING: FORAGING FOR FOOD IN THE CITY
Philadelphia Inquirer, 2011
I've always marveled at just how much "nature" there is in the city, so I was excited to learn about Philadelphia's urban foragers, whose goal is to feed themselves and others with edible plants they've found within the city limit. For this article I followed a Google map that foragers had pinned with locations of fruit trees and other plants to see what I could find to eat—for free.
Read my article for the Philadelphia Inquirer here
FOUND THINGS
My Red Couch And Other Stories on Seeking a Feminist Faith, ed. Claire E. Bischoff. Wipf & Stock, 2010
My Red Couch is an anthology of essays about religion and feminism. My contribution is about prayer, found poetry, and getting my wisdom teeth removed.
HOW A LOCAL POET PUBLISHES, FROM ZINES TO THE INTERNET
The Philadelphia Inquirer, April 2009
Last year I wrote a batch of poems, one for every letter of the alphabet and each inspired by an obsolete word of English. I didn't send them out to journals for their consideration, as many poets would. Instead, I made a little book. I asked a friend to design and typeset it, which he did, beautifully, and another friend to print it. This friend, Taylor Ball, is from Virginia but lives in Philadelphia now. He runs Parcell Press, a company that distributes zines and other independent media. At some point he acquired a printing press and learned to use it, so now he can consider himself a publisher, too.
Read the rest of the essay here
THE WAY WE 'READ' NOW
Minneapolis Star Tribune, February 2008
For this article in the Minneapolis Star Tribune, I looked at the narrative of video games and the ways in which digital technology is changing our conceptions of literacy.
OPEN SOURCE EMBROIDERY
Philadelphia Inquirer, 2008
I wrote a regular series for the Philadelphia Inquirer called DigitaLit, for which I reported on literature and art projects that lie at the intersection of traditional storytelling and new technologies. This is one of the columns.
In talking about the idea for her new-media project, Open Source Embroidery, British curator and media researcher Ele Carpenter says the zeitgeist deserves at least some of the credit.
Read the rest of the article here
PAGING THROUGH IRELAND
The Pennsylvania Gazette, Sept/Oct 2006
“I hear they’re bringing back the floozy in the jacuzzi,” my friend Rob said one day, out of the blue. We were sitting at the kitchen table in his rented house in Dublin, drinking tea.
Read the rest of my essay here
SUMMERING WITH THE LOONS IN CAPE MAY
Philadelphia Independent, Vol. 1 No. 17, August 2004
The Philadelphia Independent was a wonderful paper that was published for a few years in the early aughts. It was a hard-to-categorize publication that referred to itself as A General Interest Miscellaneous Newspaper, The Periodic Journal of Urban Particulars, and Too Big to Read on the Subway. I wrote a few pieces for them, and the one I'm proudest of is an essay about the birdwatching culture in Cape May, New Jersey.
I LIVE AT HOME
The Utne Reader, May/June 2002
I wrote this story to try to put into words what my life was like when I moved back home with my mother after my father died. It was published in a zine called Here, and a few months later the Utne Reader thrilled me by reprinting it. It has since been published in other publications, including a college textbook on creative writing.
HOW TO BECOME THE MEDIA
Philadelphia Weekly, July 11, 2001
One of my first jobs out of college—certainly the first job I cared about—was on the editorial staff of the Philly Weekly. I was hired to edit the arts and entertainment listings, which I more or less neglected as I tried to get as much of my writing into the paper each week as I could. This essay was the first chance I got to write about something that mattered to me personally. I went to the Underground Publishing Conference in Bowling Green, Ohio, where I attended workshops and lectures and met writers, artists, and librarians who were also activists, and who made their own media and took control of its distribution. The experience made a huge impression on me, and the things I learned that weekend serve me to this day.